Islamic Garden, Emma Clark

Emma Clark: The Art of the Islamic Garden, Book Review

"Books are the gardens of scholars." ~ Ali ibn Talib (as)

It is Autumn, 2017. This past summer I exhibited some art work in a garden in Berlin as part of an art festival and studied the culture and history of the Islamic garden. The Berlin garden was pretty yet somewhat chaotic (so Berlin!) and I longed for the calm composition, clarity and artistic refinement of the real thing.

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Crocus Carpet

The Infinite, Algorithms and The Disorderly Arabesque

“The Arabesque (…) transfigures the object of nature it decorates (…) into a weightless, transparent, floating pattern extending infinitely in all directions (…) the object of nature has become under the Arabesque treatment a window onto the infinite.”

During my work on this blog, while researching, reading and writing about Islamic philosophy and arts I have come of course very early unto the Arabesque. The Arabesque pattern – sometimes foliate but commonly geometrically structured patterns of different shapes and coloring, known from Islamic decorative arts but also from music – has captured my interest.Continue reading

الملك The Absolute Ruler Al-Malik

The Metaphysics of Light in Iranian Islamic Sacred Geometry

O God of all gods, come to the aid of the people of Light, give the victory to the people of Light, and guide the light unto the Light!” ~ Shihābuddīn Yaḥyā Sohravardī (a.s)

Iranian Art & Architecture not only is fascinating with it’s highly refinded interplay of colors, rythmic layering and it’s historical development, it is also deeply mystical in expression and vibration. A day in a mosque in Iran is doing many wonders for the soul and the imagination.  In this article Wahid Azal, my husband and a well known Sufi mystic dives into the metaphysical aspects of Iranian Islamic Sacred Geometry in Architecture and Art.

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